The Medals Column #2

One American Art Medal Series

by Samuel Pennington

 Collectors looking for an undervalued field might well consider the American art medal. Why? A Belgian Web site (www.artmedal.be/) provides the artistic part of the answer: “Designed to be held in the hand, medals represent the ultimate in portable art and are often miniature sculptural masterpieces.” Prices realized at auctions provide the financial side of the answer.

Art medals are in a strange limbo. Coin collectors are not interested in them, nor are art collectors, despite the fact that art medals were done by the best sculptors of the day: Paul Manship, Victor D. Brenner, John Flanagan, James Earle Fraser, Augustus Saint-Gaudens among them. With few exceptions, prices for works by well-known sculptors sold in the medals trade do not come close to those asked in the sculpture trade.

Joel Rosenkranz, a partner in Conner-Rosenkranz, New York City, a leading representational sculpture dealership, and coauthor of numerous books on sculpture, cites the difficulty of displaying medals as a factor and adds, “It’s an esoteric field, and sometimes when objects are affordable, and there is an opportunity to acquire them, art collectors are skeptical.”

Cameron Shay of James Graham & Sons, New York City, another leading sculpture dealer, agrees with the display problem. “They are wonderful objects, but what do you do with them?”

This column is about one of two reasonably abundant and affordable public subscription series: the 12 medals issued by the Circle of Friends of the Medallion from 1909 to 1915. Next month we’ll cover those issued by the Society of Medalists (129 medals, 1930-95).

The two American series were issued by subscription for similar reasons—to promote the appreciation of medallic art—and met similar fates, both just running out of steam. The advent of World War I also hastened the demise of the Circle series.

—The Circle of Friends of the Medallion

The Circle series defined itself on the last page of each of its books containing the medals: “The Circle of Friends of the Medallion is a band of artists and lovers of the arts, of both sexes, who hope to encourage in the public a taste for small sculptures and especially for bas-relief. Designs are chosen by the Art Committee, Medals and other sculptures issued by the Circle go to members only, without charge beyond the annual dues. They are not offered publicly for sale. They are of bronze, unless a costlier metal is called for at an additional cost.”

Medals from the Circle of Friends of the Medallion were inset into small books, 12 in all, each with several pages of description or artists’ notes. Each book had a gold-colored sticker with the likeness of Renaissance painter and sculptor Antonio di Puccio Pisano (better known as Pisanello), who is credited with introducing the portrait medal. D. Wayne Johnson, writing on (www.medalcollectors.org), estimates that no more than 500 of each were sent to subscribers.

The medals were done by the leading sculptors of the day: John Flanagan, Victor David Brenner, and Paul Manship among them. Prices run from around $200 to $400. To my mind, having the original book adds much value, but it does not seem to matter in the marketplace. Medal auctions and eBay are the main sources these days.

Display is a problem. The books go well on a bookshelf, but unless you take the medal out of the book, all you have to show is a small shelf of books.

Even though Circle of Friends medals (especially with their original book holders) are rarer than Society of Medalists medals, they don’t necessarily bring more money. Joe Levine’s Presidential Coin and Antique Company’s auction in Baltimore on July 15, 2006, offered ten of the 12 Circle medals, all in their books. Top price was $287.50, reached by three medals. The lowest priced was $115. The Paul Manship medal, number 11, New York Tercentenary, normally the highest priced of the series, brought $287.50 with its book and $201.25 without the book. See the accompanying pictures for a complete listing of Circle medals and their prices at the July 2006 auction.

The medals are first class; the descriptions in the books are complete. This is a series worth looking for.

 

 

Cof13.jpg (136262 bytes)
The medals of the Circle of Friends of the Medallion series were inset into die-cut holes in the pages of uniformly sized brown cloth books. Each book also had a few pages of descriptions and artists’ notes. This is issue number 9, 1913, depicting John C. Fremont, sculpted by Rene Theophile de Quelin. The medal is a bronze oval, 76 x 57.5 mm, the obverse with a military bust to the left, “John/ Charles Fremont/ Pathfinder/ Scientist/ Soldier” in the left field. On the reverse, a winged figure of Victory is seated on a pedestal bearing the seal of the California Republic. She holds a gold nugget in one hand and an olive branch in the other. In the background are a galleon and a modern steamship. A similar example with the book in average condition brought $287.50 at Presidential Coin and Antique Company’s auction on July 15, 2006.
cof01.jpg (64261 bytes)cof11.jpg (64051 bytes)
Issue number 1, 1909, Hudson-Fulton, John Flanagan, sculptor, $241.50 at Presidential Coin and Antique Company’s auction on July 15, 2006.

 

 

 

Issue number 11, 1914, Tercentenary of New York, Paul Manship, sculptor. Two were offered at Presidential Coin and Antique Company’s auction on July 15, 2006. One with its book sold for $287.50, and one without brought $201.25. This medal is generally the most expensive of the series because of Manship’s prices on the art market.
cof02.jpg (56013 bytes)cof08.jpg (52024 bytes)
Issue number 2, 1910, Wanderer Returns Home, Isidore Konti, sculptor, $224.25 at Presidential Coin and Antique Company’s auction on July 15, 2006.Issue number 8, 1913, The Ocean, Sigurd Neandross, sculptor, $115 at Presidential Coin and Antique Company’s auction on July 15, 2006.
cof03.jpg (64428 bytes)cof09.jpg (44103 bytes)

Issue number 3, 1911, Saint Brendan, John Mowbray-Clarke, sculptor, $287.50 at Presidential Coin and Antique Company’s auction on July 15, 2006.

Issue number 9, 1913, John Fremont, Rene Theophile de Quelin, sculptor, $287.50 at Presidential Coin and Antique Company’s auction on July 15, 2006.
cof04.jpg (57597 bytes)cof10.jpg (62124 bytes)

Issue number 4, 1911, Motherhood, Victor D. Brenner, sculptor, not offered at Presidential Coin and Antique Company’s July 2006 auction According to the Medal Collectors of America web site, it is  the most popular medal of the series.

Issue number 10, 1914, Anglo-American Peace, John Mowbray-Clarke, sculptor, not offered at Presidential Coin and Antique Company’s July 2006 auction.

cof05.jpg (91462 bytes)cof07.jpg (95701 bytes)
Issue number 5, 1911, Lafayette, Jules Roine, sculptor, $276 at Presidential Coin and Antique Company’s auction on July 15, 2006.

 

 

Issue number 7, 1912, Abdul Baha, Louis Potter, sculptor, $126.50 at Presidential Coin and Antique Company’s auction on July 15, 2006. According to the Medal Collectors of America web site, members of the Baha’i religion seek this one since their religion did not sanction portraits.
cof06.jpg (53605 bytes)cof12.jpg (56988 bytes)
Issue number 6, 1912, Charles Dickens, John S. Conway, sculptor, $195.50 at Presidential Coin and Antique Company’s auction on July 15, 2006.Issue number 12, 1915, Joan of Arc, Allen G. Newman, sculptor, $218.50 at Presidential Coin and Antique Company’s auction on July 15, 2006.

 Copyright 2007 by Maine Antique Digest

To comment mad@maineantiquedigest.com