The Impecunious Collector, Maritime Division: America's Cup
Volunteer trial race, September 16, 1887, blind stamped E.T. Gerry. Volunteer owner General Charles J. Paine of the New York Yacht Club defeated Thistle and the Royal Clyde Yacht Club of Scotland. The stereoview was taken by Elbridge Gerry ("G" as in "gelt"), the commodore of the New York Yacht Club at the time. His grandfather, once governor of Massachusetts, realigned a congressional district to his party's advantage. To some, the district as changed looked on a map like a salamander or a "gerrymander." The word survived because it never ceased to have contemporary relevance. The stereoview was probably taken from Gerry's Electra. Samuel War Stanton said of it: "A handsome steam yacht...for a number of years the flag-ship of the New York Yacht Club. Palatially fitted up and very speedy."
by A.J. Peluso, Jr.
It may not be timemaybe soonto start spending serious money, but in the meantime you might be able to stay in the race on the cheapunder $100, maybe under $50, maybe even $10for an America's Cup experience.
Interest in the America's Cup was buoyed by national prideAmerica against all challengers. Victory after victory helped. By the 1930's, the America's Cup even became a welcome distraction from the country's troubles. Interest continued but slacked after the war. Man-in-the-street interest died when the cup was lost to San Diego and then acquired by a Swiss team in 2003. (A U.S. team captured the cup in February.) In the early years there was no limit to the creation of celebratory-related ephemera: trade cards, sheet music, games, and photographic media.
Beginning in the 1880's, photographers with familiar names sailed the wave's crest: New Yorkers John S. Johnston, James Burton, Charles Bolles, Theodore Gubelman, Edwin Levick, and Morris Rosenfeld, and Boston's Nathaniel Stebbins. Understandably, their work got scarcer and pricier.
But there were other categories to satisfy enthusiastic popular demand: stereoviews and cigarette cards, to name two. Herewith, a few samples of what might be out thereauthentic, unique, inexpensive. Note that even in this limited group you can sense the photographic sophistication increasing over time.
"Enormous sail area of the superb 90-foot racing yacht 'Reliance,'" Works and Studios, Arlington, N.J., and Underwood & Underwood Publishers, New York City. The winner in 1903. Skipper Charles Barr's third cup win.
"Shamrock III. Challenger of 1903. The Pride and Hope of Sir Thomas Lipton and of the British Isles," Universal View Co., Philadelphia, copyright 1903 by William H. Rau, published by Rau, Philadelphia. Rau was among the leading marine photographers of the early 20th century. He is remembered best for his railroad pictures; nonetheless, he published yearly catalogs of his marine pictures.
"The Genesta, Great International Yacht Race," #4031, B.W. Kilburn, copyrighted 1885. Before the mid-1880's, and before the development of dry-plate photography, commemorative media was likely lithographs or paintings. There were photographs, but developing required cumbersome and immediate attention. The cameras and film were slow. No wonder surviving images were of ships at rest, dead in the water. By the time of the Genesta challenge, the technology afforded stop-action and the luxury of later time developing. The photograph could then realistically record motion and the loss by the Royal Yacht Squadron's Genesta to the Puritan.
"Defender Racing," 1895, #215, Alfred S. Campbell, Elizabeth, N. J., copyright 1896. Herreshoff's yacht beating Valkyrie III.
"Shamrocks I. and III. passing the ErinTrial Races off Sandy Hook, N.Y., U.S.A," October 1903, Works and Studios, Arlington, N.J., and Underwood & Underwood Publishers, New York City. Erin was Sir Thomas Lipton's steam yacht. He is standing in front of the well-dressed woman. Lipton's intrepid story, his unflagging sportsmanship, has been oft told. He lost in 1899 with Shamrock (I), in 1901 with Shamrock II, in 1903 with Shamrock III, in 1920 with Shamrock IV, and, yes, in 1930 with Shamrock V.
Volunteer, September 1887, blind stamped E.T. Gerry. Volunteer approaching the Ambrose lightship turn, presumably September 27 or 30, the days of the actual challenge races with Thistle.
"International Yacht RaceStruggle between the 'Columbia' and 'Shamrock' [I] for the 'America's' Cup. Oct. 1899," #9697, Keystone View Company, Meadville, Pa., copyright 1899 by B.L. Singley. The yachts can be seen in the distance. The uncommonly near-empty steamboat was apparently engaged by the New York JournalHearst's so-called "yellow journal." Benneville Lloyd Singley was a photographer and founder of the Keystone company.
"Bay View," #442, E. & H.T. Anthony, American Scenery Co. Taken in New York City, this photograph of an unidentified yacht, dated July 4, 1860, is at one of the regattas held in many American port cities. This regatta was not sponsored by the New York Yacht Club, then only 16 years of age. There was an interregnum between the America's win in 1851 and the first unsuccessful international challenge, in 1870, to the New York Yacht Club's Magic by the Royal Thames Yacht Club's Cambria.
Valkyrie III, 1895, Sweet Caporal cigarette card. (There is also a Defender 1895 card, not shown.) A faded image, but it still hints of a head-on, wing-on-wing reality. Probably Valkyrie III's only proud moment. Her owner, Lord Dunraven, manifested the worst sportsmanship ever experienced in the cup's history. He lost the first race, was disqualified in the second, and withdrew from the third, bitterly.
Vigilant, #95, Comic Series, Children's Pictures, Etc. Who knows why "Comic"? In defeating Valkyrie II, Nathaneal Herreshoff claimed the first of his several America's Cup triumphs.
Constitution, Ogden's Tab Cigarettes, cigarette card. Under magnification the following appeared: "Photo by James Burton." "Constitution, the American millionaire syndicate owned yacht...." She lost in the 1901 and 1903 trials to Columbia. Tennyson might have said, 'Tis better to have raced and lost than never to have raced at all.
Originally published in the April 2010 issue of Maine Antique Digest. (c) 2009 Maine Antique Digest