Record-Setting Southern Sampler Leads Evans Sale

The star of the Evans sale was this magnificent silk-on-linen sampler. It carries two stitched inscriptions: Sarah. Ann. Gibbons. Sampler./ Harrisonburg
August. th. 8/ A.D. 1834 and Near Avons banks a cultured spot. With many a tuft of flowrs adorned./ Was once an aged shepherds cott. Who scenes of greater splendour scornd. The sampler displays an extremely elaborate design with a rose and vine border, two flower-filled cornucopias flanking the first inscription, and a central basket of flowers flanked by matching images of a tree with a pavilion or spring house. Below the second inscription is a panel depicting a shepherd, his dog, and a flock of sheep near a body of water and two cottages in the background. The 17½" x 17" needlework is clean, and its colors are vivid. It is tack-mounted on a wood board. Remarkably, there are no losses to the stitches or the foundation. It is thought to have been stitched by Sarah Ann Gibbons at either Miss Anna Moores Harrisonburg Female Academy or at the nearby Albert W. Kilpatrick school for girls. The sampler passed uninterrupted from the Gibbons family of Rockingham County, Virginia, to the Evans sale. The piece sold to Anna Marie Witmer, a Charlottesville, Virginia, sampler and decorative arts collector. Witmers husband, David, bid in person on her behalf. It set a record for southern samplers, bringing $48,875 (est. $20,000/30,000). 
A group of 12 fountain pens was hotly contested by an individual in the room and a telephone bidder. The group includes three Watermans, two Parkers, one Morrison, one Majestic, and others. Two of the pens retain their original boxes, and all are in excellent condition. The determined bidder in the room proved that she had the write stuff, winning the group for $862.50 (est. $100/150). |
Jeffrey S. Evans & Associates, Mount Crawford, Virginia by Walter C. Newman Photos courtesy Jeffrey S. Evans & Associates Jeffrey Evans has settled into his new auction facility in Mount Crawford, Virginia. With one auction already in the books, and with most of the logistical wrinkles ironed out, he and his staff are becoming comfortable with the new building and their new auction systems. Evans seemed relaxed as he opened the July 25 sale to a standing-room-only crowd. The auction featured a broad selection of southern decorative arts, Americana, and other fine antiques. Commenting after the sale, Evans stated, "We are very pleased with the way our new facility is working. I was a little concerned that it might be too small, but I think it is going to be very adequate now that we can have monthly catalog sales of a more manageable size." He went on to state that he is particularly happy with his new on-line catalog and absentee bidding platform. Prospective bidders now have two ways to bid via computer. They may go directly to the Evans Web site, view an electronic version of the printed catalog, and enter their absentee bids directly into Evans's system. As the sale progresses, that system sends an e-mail to the bidder that indicates whether he is successful or informs him that he has been outbid by another absentee. For those who prefer to participate in real time, traditional on-line bidding is handled through Artfact Live. The high lot of the sale was not unexpected, but it did generate head-turning excitement. A rare and exceptionally well-preserved silk-on-linen sampler stitched by Sarah Ann Gibbons in 1834 in nearby Harrisonburg, Virginia, was everything that the catalog suggested. Auction brochures and Internet photographs did not do justice to the sampler. Its colors were bright and clear, and the stitching was extremely complex. Bidding opened at $9000 and quickly moved past the $20,000/30,000 published estimate. Telephone, Internet, and absentee bidders eventually gave up, and Evans brought the hammer down at $48,875 (includes buyer's premium), setting an auction record for a southern sampler. The winning bidder was Charlottesville, Virginia, collector Anna Marie Witmer, whose husband, David, was bidding in her absence. Witmer was also the successful bidder at $10,925 (est. $4000/6000) on the next lot, a sampler stitched by Rebecca Davis at Northumberland Academy in eastern Virginia, near Heathsville, dated 1822. Following his second purchase, David Witmer telephoned his wife to give her the good news. Referring to the Northumberland sampler, he commented, "That one was almost as good [as the Gibbons sampler]. It was a very good buy." The remainder of the auction moved along pretty much as expected. The furniture category offered no real surprises, but it does warrant some comment. A fine group of seven pieces of Sheraton tiger maple furniture crossed the block. Two drop-leaf stands with drawers in very good condition sold for $2070 and $1092.50, at the low end of their estimates, and a small single-drawer stand brought only $460 (est. $800/1200). A 19th-century Wythe County, Virginia, painted poplar pie safe with some restoration managed only $920 against a $1000/1500 estimate. A very nice Empire inlaid walnut butler's desk sold for $316.25, just three-fourths of its low estimate. That said, there was a bright spot that could be interpreted as an indication that there is life in the furniture category. For more than a year, the performance of furniture items such as those noted here has been lackluster, to say the least, and often "depressed" is a better description. With the exception of a handful of individual pieces, prices remained near their low levels at this sale, but what was very encouraging was the fact that there were multiple active bidders for most of the furniture lots. At many recent sales furniture lots have tended to be a quick sale with rarely more than two bidders competing for any item. At the Evans sale, virtually every furniture lot saw multiple bidders in house as well as Internet and absentee bids. Overall, prices were not driven up significantly, and bargains in fine furniture still appear to be everywhere, but it is encouraging to see active bidding from several individuals on virtually every furniture item. Perhaps we have seen a bottom, and bidders are testing the furniture waters again. For additional information, contact Jeffrey S. Evans & Associates at (540) 434-3939 or on the Web at (www.jeffreysevans.com). This rare Albany-glazed stoneware pitcher bears a lengthy presentation inscription: Made By B T Black/ Present to Miss/ Ema Rulh
[?]/ August 19, 1891/My Best/ Wishes to you. In addition to the inscription, there is an incised tree, with Harrisonburg/ Virginia and a second tree on the reverse. The pitcher is 9" high with a 4 5/8" rim diameter and is in excellent condition. The potter is not recorded, but the pitcher is likely from Emanuel Suters steam pottery in Harrisonburg, as it displays a Suter capacity stamp. It brought $2415 (est. $1000/1500).
|
Originally published in the November 2009 issue of Maine Antique Digest. (c) 2009 Maine Antique Digest
Login or Register to post a Comment |